"When Sholem Asch wrote God of Vengeance in 1907, he didn't imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play's subject matter wasn't deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel's newest work traces the trajectory of the show's success through its tour...

"Writing with the wry realism of Sally Rooney, one of Germany' most promising literary talents demonstrates her incisive understanding of the complexities of relationships and the depths of the human heart in this witty and compulsively readable novel about five very different women whose lives intersect. What happens when women fulfill their roles as wives, mothers, friends, lovers, sisters, and daughters? What comes next? Award-winning author Daniela...

Letters, diary entries, poems, monologues and diaglogues created to illustrate the stories of people whose lives were touched by Ellis Island, once the United States' largest immigration station.

"Today Sardines Are Not For Sale is a microhistory of a single, emblematic event: the demonstration on the rue de Buci, a food protest that took place on May 31, 1942 at a central market area in occupied Paris. It was a time of dire food scarcity, escalating tensions between shoppers and merchants, an upsurge of urban guerrilla violence, and relentless repression of dissent by the authorities. The French collaborationist government at Vichy saw the...

"Why do apparently so few women feature in the history of design? Why is it still the case that so few women speak at conferences? Why are previously well-known women 'forgotten'? What effects does the gender debate have on today's everyday working life? Are women judged today solely on the basis of their quality of work? Since professionalization began, female graphic designers have been working actively and successfully, but the artificial synthesis...

With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as "man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed...