The Voice at 3:00 A.M.: Selected Late and New Poems
(eBook)

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Published
HarperCollins, 2006.
ISBN
9780547546322
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Charles Simic., & Charles Simic|AUTHOR. (2006). The Voice at 3:00 A.M.: Selected Late and New Poems . HarperCollins.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charles Simic and Charles Simic|AUTHOR. 2006. The Voice At 3:00 A.M.: Selected Late and New Poems. HarperCollins.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charles Simic and Charles Simic|AUTHOR. The Voice At 3:00 A.M.: Selected Late and New Poems HarperCollins, 2006.

MLA Citation, 9th Edition (style guide)

Charles Simic, and Charles Simic|AUTHOR. The Voice At 3:00 A.M.: Selected Late and New Poems HarperCollins, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe2574eb5-9dd5-de4a-637e-28617b9a9a2e-eng
Full titlevoice at 3 00 a m selected late and new
Authorsimic charles
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-08 03:06:58AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 11, 2023
Last UsedMay 16, 2024

Hoopla Extract Information

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    [synopsis] => Cardinal Bendinello Sauli died in disgrace in 1518, implicated, rightly or wrongly, in a conspiracy to assassinate the then Pope, Leo X. This book, based on extensive archival research in Genoa and Rome, traces Sauli's rise and fall, setting one man's life and career against a background of political turmoil and intrigue, and offering new perspectives on the patronal links which bound pope, cardinals and their family and courtiers so closely together. It plots his elevation to ecclesiastical eminence through the efforts of his family who were financiers to the pope, and it examines his apogee as cardinal-patron both of humanists and of some of the leading artists of his day such as Sebastiano del Piombo and Raphael. The plot to murder the pope is also studied in depth, the author examines the surviving evidence relating to the plot and reveals new archival material which supports its existence in the eyes of the law and Sauli's involvement in it. In addition, she explores Sauli's role as a man of the Church and his administration of his benefices.
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